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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院赤月追缉令丑陋的继姐夏利特医院第二季道具寻人档案第34届电视剧“飞天奖”第28届电视文艺“星光奖”颁奖典礼我父我夫我子新喋喋人生寻找心中的你无耻之徒(美版) 第三季购物王路易国语欢喜一家人之快乐满屋锦绣南歌芝加哥故事 第三季画江湖之不良人真人版第二季陷入纯情鸡皮疙瘩初恋无罪我们的未来阿玛柯德娃娃夫人国语孙悟空大闹狮驼岭黑暗中的回声德州电锯杀人狂3聊斋·席方平星际旅行：下一代第一季熊出没·原始时代插翼难飞2享金猎人伊朗电影往事
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院赤月追缉令丑陋的继姐夏利特医院第二季道具寻人档案第34届电视剧“飞天奖”第28届电视文艺“星光奖”颁奖典礼我父我夫我子新喋喋人生寻找心中的你无耻之徒(美版) 第三季购物王路易国语欢喜一家人之快乐满屋锦绣南歌芝加哥故事 第三季画江湖之不良人真人版第二季陷入纯情鸡皮疙瘩初恋无罪我们的未来阿玛柯德娃娃夫人国语孙悟空大闹狮驼岭黑暗中的回声德州电锯杀人狂3聊斋·席方平星际旅行：下一代第一季熊出没·原始时代插翼难飞2享金猎人伊朗电影往事